The exhibition presents three video works, fully AI-generated and structured as looping GIFs:

short, repetitive, non-linear. A contemporary Pandora's box opens onto the mundane, an unheroic

vision of our current Sisyphean behavior, where modern meaninglessness doesn't look epic but

banal and slightly pathetic.

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The works operate through repetition rather than narrative, assembling gestures and routines

into something suspended between performance and document, intimacy and artifice.

Somewhere between game and manual, Side to side, Round and round, and Up and down are

hypnotic yet unsettling series of self-portraits, their repetitions both soothing and uncanny. They

have no beginning or end, only the perpetual "glitch" of a machine whose operating time remains

unknown.

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The exhibition's title invokes the impossibility of presence, a directive to locate someone who may

or may not be there. This paradox of proximity and absence structures the space itself. A looped

instrumental passage from Leonard Cohen's "Tower of Song" plays in the center of the space, the

melody cycling endlessly without resolution or lyrical anchor. Cohen's song meditates on artistic

labor and creative exhaustion; here, stripped to its musical skeleton and emanating from atop a

trampoline, the sound becomes both score and subject